Technical Standards & Methodology

All digitization projects are conducted in accordance with museum-grade technical standards, with a focus on accuracy, consistency, and long-term preservation. The methodology is designed to meet institutional requirements for collection documentation, research, and digital archiving.

Art Digitization by George Shahda

Capture Accuracy & Color Management

My digitization practice is built on measurable accuracy and repeatability, ensuring reliable digital surrogates suitable for museum and archival contexts.

  • Fully color-managed digitization workflow
  • Camera and lighting calibration prior to each digitization phase
  • Target-based color verification
  • High-resolution medium-format capture (50–100MP)
  • Stable capture geometry and controlled, flicker-free lighting
  • Preservation-safe exposure levels for sensitive artworks
MBRL Museum Art Digitization by George Shahda

Capture Equipment & Environment

My digitization practice is built on measurable accuracy and repeatability, ensuring reliable digital surrogates suitable for museum and archival contexts.

  • Medium-format digital camera systems (50–100MP)
  • Fixed camera alignment and precision support systems
  • Continuous, flicker-free lighting suitable for sensitive materials
  • Controlled lighting intensity and exposure duration
  • Mobile studio setup adaptable to museum spaces and storage areas
  • Non-invasive workflows aligned with museum handling protocols
Advanced Editing & Color Correction By George Shahda

Image Quality & Archival Preservation

All digital outputs are produced as long-term preservation assets, not presentation images.

  • High-resolution archival master files
  • Camera and lighting calibration prior to each digitization phase
  • Non-destructive processing with no compression applied to masters
  • Verified sharpness, tonal accuracy, and visual consistency
  • Clear separation between archival masters and derivative files
  • RAW files retained as technical reference material
Metadata by George Shahda

Metadata Integration & File Structure

Digitization is treated as a structured documentation process, with information embedded directly into the digital assets.

  • Structured metadata embedded at the point of creation
  • Support for XMP / IPTC / EXIF standards
  • Compatibility with museum collection management systems and DAM platforms
  • Consistent, documented file naming conventions
  • Logical, archival folder hierarchy designed for long-term retrieval
Advanced Editing & Color Correction By George Shahda

Quality Control, Data Integrity & Documentation

Each project includes verification, security, and transparency, meeting institutional requirements and best practices.

  • Technical and visual quality control applied to all assets
  • Verification of color accuracy, consistency, and metadata completeness
  • Secure, multi-copy data handling during capture and delivery
  • Structured delivery on physical media
  • Technical documentation available for audits, grants, and institutional review

Strategic Assessment

Each collaboration begins with an evaluation of the collection scope, object types, priorities, and institutional requirements. This allows digitization parameters, metadata structures, and technical outputs to be defined before capture begins.

Phased Digitization Programs

Projects are structured into manageable phases, enabling:

  • Controlled production timelines
  • Budget predictability
  • Progressive expansion across collections
  • Minimal disruption to museum operations

Technical Continuity

Consistency across years and projects is maintained through:

  • Stable capture methodologies
  • Repeatable color and calibration standards
  • Consistent file structures and metadata schemas
  • Documented workflows for institutional reference

Ongoing Technical Guidance

Museums benefit from continued technical support beyond capture, including:

  • Advice on digitization standards and upgrades
  • Guidance for internal teams and future vendors
  • Alignment with evolving digital infrastructure
  • Preparation for grants, audits, or collection migrations

Institutional Alignment

Digitization outputs are designed to integrate with:

  • Collection management systems
  • Digital archives and DAM platforms
  • Research, publication, and access initiatives
  • Long-term digital preservation strategies
Partnership Model

George Shahda works as a technical digitization partner, not a short-term vendor.

Projects are structured to deliver consistent, preservation-ready digital assets that align with institutional strategies and long-term collection goals.

Museums benefit from:

Structured, phased digitization programs

Long-term technical continuity and consistency

Guidance for future digitization and system integration

Alignment with institutional digital preservation strategies

Digitization is delivered as a structured, verifiable, and preservation-focused process aligned with museum and cultural heritage requirements.

Why Work With Me
I operate as a digitization specialist, not a photography vendorMy workflows are designed for collections, not individual imagesI deliver digital assets suitable for long-term institutional useI prioritize accuracy, transparency, and auditability

Get Started
A visual documentation of Antonio Signorini’s sculptural works, including The Warriors, Flying Horses, and DNA series. Captured over several years, these images highlight the artistic and technical essence of each piece through detailed and multi-angle photography.
Portrait-of-Edward-Shahda by George Shahda
A visual documentation of Antonio Signorini’s sculptural works, including The Warriors, Flying Horses, and DNA series. Captured over several years, these images highlight the artistic and technical essence of each piece through detailed and multi-angle photography.
Museum Art Digitization by George Shahda
Museum Art Digitization by George Shahda
Edward Shahda
Mustafa Ali Gallery Portraite
Afaf Kharma Damascus by George Shahda
Museum Art Digitization by George Shahda